Painters disconnected is a series of mobile phone screnshots showing Google image search for paintings of famous painters as they are shown before the web pages load. What they reveal is a mosaic of images with a predefined layout and color scheme for each search/artist.
OSlove reflects on the personal attachment to one's interface of choice in daily computing activity, a.k.a the operting system. Whether the shiny icons, or the familiar layout, or the tedious customization, there are features, or possibilities, or politcs that tie us to a particular set of applications and operating systems.
Exercises in style of the everyday are an artistic exploration of language and translating- interpretation in the age of software mediated information.
A web and electronic art intervention that allows users to broadcast whatever they type in their browsers via Google's text to speech service on public FM radio.
A series of alternative GPS softwares that questions the spaces and boundaries of belief in technology.
The project transforms large closed objects into a work of public art, made by the designers and artists of public space, the city developers and policy makers.
The South Collection is an intervention in public space through an identity correction creating an art collection out of rejected architecture and monuments.
Exercises in style of the everyday are an artistic exploration of language and translating- interpretation in the age of software mediated information using Google translate and the method of Chinese whispers
An intervention in public space looking at the fruitful symbiosis of viruses and networks as contageous walled gardens, on the example of the H1N1 epidemic of 2010.
Serbian Railway Files is documentary exploration of the Serbian Railways from a personal perspective of being their traveller for 4 years on a weekly basis.
On art and logic is an intervention on or within buildings of art institutions. a text inspired by dada, the philosophy of Ludwig Wittgenstein and the contemporary diffusion of artistic practices was appearing on the streets of Belgrade, Novi Sad and Zagreb.
Candy 2.0 is an edible interpretation of the semantic web and online communication through the means of a candy wrapper design
investigates the assumption connected to photography as a document created by conscious decision, as well as the impact of technology on everyday perception, and consequently, principles of framing.